Pousette-dart Band Flac Download
1. Fl studio 12 indir. 01 Heart of the Sunrise (take 1, Chris on vocals) (9.40)1.02 Heart of the Sunrise (take 2, Jon on vocals) (4.48)1.03 Excerpts from 'Story of I' (Patrick solo) (10.28)1.04 messing around (5.10)1.05 Flight Of The Moorglade (3.38)1.06 messing around (2.24)1.07 Sound Chaser (9.50)2.01 messing around (3.38)2.02 The Remembering (18.49)2.03 messing around (3.39)2.04 Sweet Dreams (7.29)2.05 I'm Down (3.42)Ok all you Yes fans. Here it is: the Relayer lineup of Yes rehearsing before the 1976 tour and it includes the Remembering. I got this tape in the arly 80's and it was labeled Millersville, PA. Since then I've heard that its really Lititz, PA and even that its Roanoke, VA.
Right now I'm sticking with Millersville as that was what my 20 year old tape reads. I wish that a better source would surface and/or that someone could defnitively say where the venue actually was and the exact date. Forgotten Yesterdays says Roanoke, VA, 5-27-1976 (day before their 1st show), but I question that.Can't tell you the generation and this recording suffers from several things: some warbling, some distortion, and the echoing venue itself.
I have cleaned this up sound-wise as best that I could. I removed some of the hollow sound, did some noise reduction, did some eq-ing, speed corrected, and smoothed out the spots where the taper turned on/off the recorder. I've kept the CDs in sync with the tape flip so nothing is missing. Some would argue that I could have cut out some dead space and fit this on 1 CD, but being a completist I couldn't do it. Feel free to redo it if you want. 1.01 Heart Of The Sunrise (9.28)1.02 Heart Of The Sunrise 2 (3.55)1.03 Excerpts From 'Story Of I'(10.12)1.04 Flight Of The Moorglade (7.02)1.05 Sound Chaser (9.26)1.06 The Remembering (18.16)Yes 1976-05-xx Lititz PA 'Solo Rehearsals' ver. The Remembering with Patrick MorazYes'Solo Rehearsals'Tait TowersLititz, PA, USA1976 May xxAudience recordingPoor quality, for the hard of listening only, see samples below.This is my 1st upload, no idea what the speed will be but I'll stay connected for as long as it takes.Often mentioned in torrent comments for 1976 Yes shows, here are the 1976 tour rehearsals featuring the fabled Moraz Remembering.
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I'm told this was on DIME a while ago, but before I joined so this is not a re-vine.In addition to a copy of the bootleg Highland CD 'Solo Rehearsals', this torrent includes a lower generation but unknown source (and still pretty rough) copy of The Remembering, and I'm Down which was not on the bootleg. The lower Gen copy has more inaudible chat & etc before the song, and the bootleg has more inaudible chat afterwards, so I pasted them together.Don't panic, the torrent also includes the raw versions of both copies.This rehearsal omits the 1st 30 seconds from the standard Tales version of The Remembering (or maybe the recording is cut), and has a new more powerful, longer ending. 1.01 Jon Anderson Harp Solo (2.45)1.02 Heart Of The Sunrise (11.10)1.03 The Gates Of Delirium (21.31)1.04 Roundabout (9.06)1.05 Sweet Dreams (jammed out version) (7.53)Yes 1976-06-01 Municipal Auditorium, Nashville (Partial)Lineage:Unknown. Got it in trade.Set List:1.01 Jon Anderson Harp Solo (2.45)1.02 Heart Of The Sunrise (11.10)1.03 The Gates Of Delirium (21.31)1.04 Roundabout (9.06)1.05 Sweet Dreams (jammed out version) (7.53)The full setlist according to Forgotten Yesterdays was:ApocalypseSiberian KhatruSound ChaserI've Seen All Good PeopleSong Of InnocenceHold Out Your Hand/You By My SideLeaves Of GreenClapLong Distance Runaround/Moraz SoloHarp SoloHeart Of The SunriseGates Of DeliriumRoundaboutSweet DreamsRecording Quality:I'd give it a B. It's reasonably crisp but there's a substantial amount of distortion.Performance Quality:About average for the beginning of the Solo Albums tour, except for Sweet Dreams which is jammed out and quite unusual. It was the fifth show of the tour and they had already dropped most of the solo material played the first two nights in Roanoke and Hampton, VA: Ram, Break Away From It All, Beginnings, One Way Rag, Alan White Solo, and Cachaca (Baiao).Personal Notes:If anyone has the complete concert, please share it!As always, this recording is for sharing purposes only.
Do not convertto MP3 except for personal use only.BArry L ROGoff (Balrog). 1.01 Intro - Apocalypse (2.40)1.02 Siberian Khatru (9.24)1.03 Sound Chaser (10.37)1.04 I've Seen All Good People (7.48)1.05 The Gates Of Delirium (22.21)2.01 The Clap (3.57)2.02 Long Distance Runaround (1.55)2.03 Moraz Solo (4.26)2.04 Olias Excerpts (3.22)2.05 Heart Of The Sunrise (10.48)2.06 Ritual (incomplete) (12.25)Since there is some interest in the Patrick Moraz era of Yes I thought I'd dust off some old tapes and see what I could come up with that hasn't seen the light of day in awhile. This show was a bit of a milestone for Yes as it was their biggest audience ever with an estimated 100,000-150,000 people.
Peter Frampton and Gary Wright opened the show and a huge fireworks display was also on tap. It was, afterall, the Bicentennial year in the US.The recording here is just an 'ok' recording which I tweaked some.
I have a suspicion the show was taped on one 90 minute cassette, but when I bought this bootleg way back in the early 80's it came to me as two tapes. There are some obvious tape flips and the show ends in the middle of Ritual.YesJFK StadiumPhila., PAUSAJune 12, 1976lineage: cassettes (maybe 2nd gen or more) PC SoundForge CD FLAC youlineup: Jon Anderson, Chris Squire, Steve Howe, Patrick Moraz, Alan WhiteDisc 11. Intro / Apocalypse2. Siberian Khatru3.
I've Seen All Good People5. Gates Of DeliriumDisc 21. Long Distance Runaround3.
Olias excerpts5. Heart Of The Sunrise6. Ritual (incomplete)Enjoy!Relayerman. 1.01 Apocalypse (2.49)1.02 Siberian Khatru (9.36)1.03 Sound Chaser (11.35)1.04 I've Seen All Good People (7.37)1.05 The Gates Of Delirium (16.13)1.06 Soon (7.00)1.07 The Clap (3.52)1.08 Long Distance Runaround (2.00)1.09 Moraz Solo - Harp Solo (7.41)2.01 Heart Of The Sunrise (11.58)2.02 Ritual (fades out) (26.03)Date:Saturday, June 12, 1976 (30 years, 2 months and 3 days ago)City:Philadelphia, Pennsylvania, United States Of AmericaVenue:John F. Kennedy StadiumCapacity:105,000Who knowsCD-rEac secure modeFlac 8At the request of some 'Vintage Yes' Here is a good Solos tour show.
Again, one of the later dates where most of the solo material was dropped in favour of more Yes-friendly choices. This is also the legendary gig, where Yes played to their biggest audience to date in the massive JFK Stadium. The batteries die about 26 minutes into Ritual.
Pousette Dart Band 3
It has listenable sound, likely 2nd or 3rd gen. This tour Yes incorperated a wonderful laser show with the music. Would have loved to have seen ritual.Tracklist:1.01 Apocalypse (2.49)1.02 Siberian Khatru (9.36)1.03 Sound Chaser (11.35)1.04 I've Seen All Good People (7.37)1.05 The Gates Of Delirium (16.13)1.06 Soon (7.00)1.07 The Clap (3.52)1.08 Long Distance Runaround (2.00)1.09 Moraz Solo - Harp Solo (7.41)2.01 Heart Of The Sunrise (11.58)2.02 Ritual (fades out) (26.03)Lineup:Jon Anderson (Vocals)Steve Howe (Guitars)Patrick Moraz (Keyboards)Chris Squire (Bass)Alan White (Drums)Thanks to Forgotten Yesterdays so I didn't have to manually write everything;).
101 Siberian Khatru (11.49)102 Sound Chaser (10.46)103 I've Seen All Good People (7.40)104 The Gates Of Delirium (22.29)105 Long Distance Runaround (1.55)106 Patrick Moraz Solo (4.04)107 Steve Howe Solo (3.50)108 Jon Anderson Solo (3.26)109 Heart Of The Sunrise (11.22)201 Ritual - Part 1 (13.03)202 Ritual - Part 2 (13.03)203 Roundabout (8.54)204 I'm Down (3.13)YES - Boston, MA, USA. 18 June 1976 'B76', a.k.a. 'Boston Steam Bath'Format: Audience recording 'AR'Venue: Boston Garden capacity +/- 15,000Source: Original taper sadly unknown, but clearly professional. There may be one tape generation and the original CD transfer between them and my very trusted, highly professional source. Whatever the unknowns, let us all thank this individual feverishly for his generosity in sharing a real candidate for 'holy grail of Yesdom' statusLineage: Original master tapes of the highest caliber for 1976 possibly a very high quality first generation tape copy CDR transfer equipment and protocol unknown but obviously professional EAC CEP 2.0 Ray Gun 3.0 FLAC Frontend Bit Torrent to DimeLineup: Vocals - Jon Anderson, Keyboards - Patrick Moraz, Guitars - Steve Howe, Bass Guitars - Chris Squire, Percussion - Alan WhiteSetlist Vol.
1:1.01 Siberian Khatru (11.49)1.02 Sound Chaser (10.46)1.03 I've Seen All Good People (7.40)1.04 The Gates Of Delirium (22.29)1.05 Long Distance Runaround (1.55)1.06 Patrick Moraz Solo (4.04)1.07 Steve Howe Solo (3.50)1.08 Jon Anderson Solo (3.26)1.09 Heart Of The Sunrise (11.22)Setlist Vol. 2:2.01 Ritual - Part 1 (13.03)2.02 Ritual - Part 2 (13.03)2.03 Roundabout (8.54)2.04 I'm Down (3.13)Recording Strengths:1976 was a very strange year for ARs, or Yes ARs at least. Before this one I'd analyzed more than 2 dozen and the best of them only offered an upper strata of 'collectors only' sound quality.
The numbers began to improve dramatically in 1977 and beyond, but even more strangely I hadn't run across a single 1976 Yes AR of same quality as some going back to 1972. When one saintly soul sent me his unedited master copy of the enclosed Boston concert I had higher hopes for it as he'd already shared the absolute best 1970s Yes ARs I ever dreamed could exist. Despite tape age and a possible 1st generation, when I first played it I was floored. Here was a thankfully unedited original 1976 Yes AR sound capture completely and utterly superior to any I'd heard before.
It had unbelievable detail across the entire aural spectrum, even though it obviously would require extensive work to reveal completely in most samplings of playback systems. Yes 18 June 1976 appears often in trader networks and in them may or may not be the same source, but their ratings are rarely high.
Now thanks to Dime you can get what I'm prepared to bet one of the best if not THE best 1976 Yes ARs from the comfort of your own keyboard, bypassing completely the often fickle, frustrating world of traders and snailmailNearly a year later it would take as much disc space as the concert itself to detail what the clearly superior source still needed to sound its best. One thing I've learned about remastering older analog ARs - the best ones are much harder to get right because they already have so much detail so vulnerable to screwing up yet usually requiring some degree of liberation from their often deteriorating tape trappings. A 'brief' description of goals and results should suffice. Another difference in my approach is hard copy 'Beta' testing among a select and trusted group prior to general distribution.High frequencies in all their many layers were already in the raw master, but needed extensive 'polishing' to sound more completely as the audience heard them. My approach to EQ work involves many hours of very small, compounded passes of settings designed to avoid distortion and any change in the frequencies' natural sound or balance. A cymbal, guitar, voice or a Moog tone should sound like one, not like something else. This is especially true in Yes' case, whose concert sound was as detailed as their studio sound.
All too often such things become nearly unrecognizable in remastered ARs no matter what their source quality. In B76 we can distinguish each sound from every other, and it even comes closer than most 1970s Yes ARs to delivering undistorted detail from things like crash cymbals we most often hear in ARs made after 1990.' Thicker' crash cymbal sounds are actually very distinguishable in this AR now, and they keep ringing just as they would right in front of us. Other high frequency sounds enjoy similar detail.Tape hiss - the strongest evidence for a first generation source - did become quite fierce after high frequency work completed. In fact, together with a miscalculation in the EQ work itself hiss actually forced a scratch restart of the whole project at one point it was really worth it:.
Even in the complete new remaster hiss volume exceeded that of the very highs so painstakingly revealed. Thankfully it was possible to reduce hiss to tolerable levels using some experimental noise reduction settings without ANY perceptible damage to signal and without ANY perceptible digital artifact insertion where signal occurs.
In the isolated samples used for nr profiling hiss was largely replaced by artifact, but it has not been detected anywhere in the desired recording. To achieve this kind of side effect-free noise reduction work the settings had to be extremely subtle, thus more than 500 passes of them were ultimately needed.Midrange and bass frequencies. All had to be treated equally with highs to avoid a 'mixed' AR and preserve its original sound spectrum balance. Bass guitars and various low end percussion like kick drums and toms should be nearly as thunderous and three dimensional to the downloader as they were to the 1976 Boston audience, without peaking or overwhelming any other part of the spectrum. Midrange sounds like electric piano and Steve Howe's hollow-bodied Gibson guitars can be among the most difficult to reveal of any part of an AR's spectrum, but here we can detect every layer of the guitars' 'voices' down to the subtlest properties of their wood. Even audience noise/chatter is rendered so realistic we could almost fool ourselves into thinking we're there, and the audience' enthusiasm for what they were seeing and hearing becomes all the more infectuous.
One member of the 'Beta' test group even thought applause was digital clipping at first hearing.The whole purpose of having ARs lies in their far more realistic capture of what audiences heard and felt than soundboard-sourced official releases or even unedited soundboard boots possibly can. Even bottom shelf ARs do this to some degree. In B76 you have one straight from the top shelf and a remaster strictly adhering to a philosophy of 'excavation' and preservation of its original sound capture, not mixing.
I'm hopeful the result speaks for itself in your playback systems - it should come as close to transporting the listener back in time and space right to the middle of Yes' 1976 Boston audience as anything could short of a real time machine. As much as anything we have Yes themselves to thank for their concert sound system standards. In the '70s they were truly state of the art, and their quality has not been surpassed to this very 21st century day. This AR and its remaster should deliver very realistic Yes concert sound at any volume in most playback systems.Yes' performance - top notch as ever.
All the more impressive given the conditions they had to perform in that night, detailed by one attendee's testimony below. Boston's New England climate is similar to that of Europe, but it can still get plenty hot there in summer. Hot it was on 18 June 1976, and the venue's ventilation system I'm told had broken down.
Yes nonetheless soldiered through it thanks to their consummate professionalism and technical skill level so rare among 'rock' bands. It wasn't just skill though - I'm a serious Yes freak due to their imagination and creative energy as much as anything.
Both attributes were at the fore in Boston that night. It may not have been their best night of the tour and Moraz' playing at least does seem to have a certain 'rawness'about it no doubt due to the uncomfortable venue conditions, but it was certainly a Yes performance to remember.Weirdnesses:Vol. 2 had and still have some very interesting sound property differences. 1 had more bass but less high end going in.
2 at the start had poorer low frequency distribution but much brighter highs. Part of the year spent remastering went to matching the two for more continuity, again with a mind to not altering the overall spectrum balance of either. They're close enough together now, but Vol. 2 still has slightly brighter high end and Vol. 1 slightly punchier bass. Working hypotheses - A one is original master transfer and the other first generation, B They're different ARs altogether with different tapers, c single taper may have moved from his original position relative to stage. If and as I learn more I'll share it with interested Dime membership.Weaknesses:ARs all have them, and despite its overall superior nature so does B76.
Some are irreversible. Among them in B76' case counts a certain degree of high frequency oscillation.
One of the last year's remastering challenges has been getting the most out of what was good without making oscillation worse. It's most audible in very high frequency sounds like percussive metals, and slightly more noticeable in Vol.
Hypotheses: tape wear/ageing in masters, single generation master tapes and/or ageing/wearing in them, or least likely the original sound capture. Other weaknesses include some dropout but it's miraculously infrequent for such an old AR. 2 certain midrange percussion may not be quite as defined as in Vol. 1 due to the as-yet unidentified differences in source files.Tape hiss remains noticeable despite hard nr work.
Its volume is now well below that of highs it had been obscuring at one time, but it's still there. A few final attempts to get more of it out without damaging desired sound were unsuccessful - they both attacked signal and inserted artifact over signal. Hopefully some new technology I don't have yet will effect further success later on. If it does I'll be reuploading it forthwith. For now I had to go with the option of giving everyone an undiluted sound capture, and remaining hiss seems quite tolerable. 2 has slightly stronger hiss - there were no isolated hiss samples long enough in it to dehiss its material as effectively.Hum appeared in Vol. 2 after low frequencies treated to match venue levels and Vol.
1's better original low frequency capture. I was able to get rid of most of it using a setting in Ray Gun Pro 3.0, but a trace remains. It's only noticeable in a few short, quiet passages thankfully.Miscellaneous sound quality issues include a bit of sibilance in Vol. 1 at high playback volumeThis AR now so closely resembles the real thing there could be some problems in some playback systems.
My own office desktop setup among them, but it's basically crap so I don't count it. One very high end factory automobile system among the 'Beta' test group apparently rendered high frequencies overwhelming and one last low frequency EQ pass was created to mitigate it. If anyone else has this experience please alert me at once. A second upload treated with Ozone is planned in case it presents a problem anywhere.Fireworks obnoxiousness from audience.
One attendee from what I can determine, but he's enough. I didn't excise these moments because they're part of the historic event. Nonetheless the s.o.b. Was in front row and throwing his live M80s and other ordinance on stage near the band's mikes so PA would pick them up.
Even at low playback volume it could force a change of shorts. My apologies for not deleting these moments, but as part of the history and after some debate I decided to leave them in place. It was a rarity at Yes concerts, so in a sense actually fascinating. It's also important to note Yes themselves never sunk to pyrotechnic depths like like so many schlock rock acts then and now.So there you have it, dear fellow Dimers.
I think this upload will really make quite a few days, despite its inevitable shortcomings.They in turn are miraculously few given the format and forum.If anyone has unedited equitable or superior 1976 Yes ARs, please upload them to Dime at once. History will thank you!AN IMPORTANT MESSAGE FROM MY SOURCE, who also provided the enclosed photo files.Most importantly let us all thank him for making this whole thing possible:'This concert took place the night after the famous FM broadcast from Roosevelt Stadium in Jersey City. Like the weather in Boston, the performance was hot, sweaty, and intense.Having been built in 1928, the old Boston Garden had no air conditioning. The ventilation was poor at the best of times and apparently had completely broken down that night.
The air was steamy and thick with smoke.The uncomfortable conditions, however, provided an unexpected benefit. The band changed costumes several times, allowing the audience to several concerts worth of their touring wardrobe.Loud explosions (probably M-80s) interrupted the show at several points.
This was a fairly common occurrence at Boston concerts at that time. Security must have been quite lax. Unlike Frank Zappa, who threatened to end his show after the next explosion, Yes simply took it in stride.The photos included in this torrent were my first attempt at hand-holding a 300mm telephoto lens from the audience. Although only a few images are worth sharing, they capture a little of what the Crab Nebula stage was like.'
1.01 Announcer Warning (1:48)1.02 Apocalypse And You And I (1:58)1.03 Siberian Khatru (9:19)1.04 Sound Chaser (10:11)1.05 I've Seen All Good People (7:25)1.06 The Gates Of Delirium (23:01)2.01 Long Distance Runaround (1:39)2.02 Patrick Moraz Solo (3:44)2.03 The Clap (3:49)2.04 Jon Anderson Solo (3:59)2.05 Heart Of The Sunrise (11:31)2.06 Ritual (26:15)Never Buy Or Sell A PRRP! 1.01 Siberian Khatru (9.54)1.02 Sound Chaser (11.14)1.03 I've Seen All Good People (7.04)1.04 The Gates Of Delirium (22.06)1.05 Long Distance Runaround (2.05)1.06 Moraz Solo (4.52)1.07 The Clap (5.18)1.08 Anderson Harp Solo (3.35)2.01 Ritual (27.04)2.02 Roundabout (8.34)2.03 I'm Down (3.13)2.04 Starship Trooper (11.46)By request here is another oldie, but a goodie. I got this in a tape trade back in the early '80s.
Typical very good audience recording with one glaring problem: the songs on the tapes were in the wrong order. I reconstructed the correct order when I did the conversion to CD and made some tweaks to the sound for clarity and bass response. This flucuates between a B+ and A- recording as you will see. There is a bad spot at the beginning of the Harp solo where the mics seemed to short out (only lasts a second though).YesCow PalaceDaly City, CAJuly 20, 1976Lineup: Jon Anderson, Chris Squire, Steve Howe, Patrick Moraz, Alan whiteCD 11.01 Siberian Khatru (9.54)1.02 Sound Chaser (11.14)1.03 I've Seen All Good People (7.04)1.04 The Gates Of Delirium (22.06)1.05 Long Distance Runaround (2.05)1.06 Moraz Solo (4.52)1.07 The Clap (5.18)1.08 Anderson Harp Solo (3.35)CD 22.01 Ritual (27.04)2.02 Roundabout (8.34)2.03 I'm Down (3.13)2.04 Starship Trooper (11.46)Enjoy!Relayerman. 1.01 Siberian Khatru (10.00)1.02 Sound Chaser (11.13)1.03 I've Seen All Good People (7.01)1.04 The Gates Of Delirium (22.06)1.05 Long Distance Runaround (2.07)1.06 Moraz Solo (4.50)1.07 The Clap (5.17)1.08 Ocean Song (3.35)2.01 Ritual (27.07)2.02 Roundabout (8.33)2.03 I'm Down (3.14)2.04 Starship Trooper (11.46)YES1976-07-20Cow PalaceSan Francisco, CaliforniaVery Good Sounding Almost Complete Audience RecordingAnalog 2nd GenCDREACWAVTLHFLACDIMEFrom the collection of;'MVH'Uploaded by; Lucifer BurnsSetlistDISC 11.
SIBERIAN KHATRU2. SOUND CHASER3. YOUR MOVE/I'VE SEEN ALL GOOD PEOPLE4. THE GATES OF DELIRIUM5. LONG DISTANCE RUNAROUND6.
Keyboard Solo7. OCEAN SONGDISC 21. STARSHIP TROOPERYESJon Anderson- VocalsChris Squire- BassSteve Howe- GuitarPatrick Moraz- KeyboardsAlan White- DrumsBy 'popular' demand, here is some more 'low Gen' YES recordings.Another great show and preformance.Excellent versions of 'Gates Of Delirium & 'Ritual'.This my way of giving back to all those who have shared and uploaded all their great YES recordings!
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1.01 Firebird Suite (2.29)1.02 Siberian Khatru (10.00)1.03 Sound Chaser (11.31)1.04 I've Seen All Good People (7.19)1.05 The Gates Of Delirium Part 1(23.09)1.06 Long Distance Runaround (cut) (0.36)1.07 Moraz Solo (4.41)1.08 The Clap (2.38)1.09 On Wings Of Gold (3.05)1.10 Sunhillow (4.19)2.01 Heart Of The Sunrise (13.14)2.02 Ritual (30.15)2.03 Roundabout (8.31)2.04 I'm Down (3.58)YesKiel AuditoriumSt. Louis, MissouriAugust 11, 1976lineup: Anderson / Howe / Moraz / Squire / Whitelineage: audience recording (unknown generation)CDRwavFLAC (level 8)1.01 Firebird Suite (2.29)1.02 Siberian Khatru (10.00)1.03 Sound Chaser (11.31)1.04 I've Seen All Good People (7.19)1.05 The Gates Of Delirium Part 1(23.09)1.06 Long Distance Runaround (cut) (0.36)1.07 Moraz Solo (4.41)1.08 The Clap (2.38)1.09 On Wings Of Gold (3.05)1.10 Sunhillow (4.19)2.01 Heart Of The Sunrise (13.14)2.02 Ritual (30.15)2.03 Roundabout (8.31)2.04 I'm Down (3.58)comment: decent tape from toward the end of the Solo Album Tour. 1.01 Opening (And You And I) (2.43)1.02 Siberian Khatru (10.06)1.03 Sound Chaser (11.53)1.04 I’ve Seen All Good People (7.19)1.05 The Gates Of Delirium (23.07)2.01 Long Distance Runaround (2.24)2.02 'Patrick' Solo (incl. 'The Story Of I') (4.56)2.03 The Clap (5.37)2.04 Jon Harp Solo (incl. ´Olias´) (3.30)2.05 Heart Of The Sunrise (11.14)2.06 Ritual (30.56)2.07 Roundabout (8.56)Alternate Yesshows (Highland HL492/493)Cobo Hall, Detroit, MI - August 17th, 1976Disc 11.01 Opening (And You And I) (2.43)1.02 Siberian Khatru (10.06)1.03 Sound Chaser (11.53)1.04 I’ve Seen All Good People (7.19)1.05 The Gates Of Delirium (23.07)Disc 22.01 Long Distance Runaround (2.24)2.02 'Patrick' Solo (incl.
'The Story Of I') (4.56)2.03 The Clap (5.37)2.04 Jon Harp Solo (incl. ´Olias´) (3.30)2.05 Heart Of The Sunrise (11.14)2.06 Ritual (30.56)2.07 Roundabout (8.56)Yes played three shows at the Cobo Hall in Detroit in August, 1976.
These occur in the final week which also turns out to be one of the final shows with Patrick Moraz. Professionally recorded by the band, the two epics “Gates Of Delirium” and “Ritual” appear on the 1980 live compilation Yesshows. In 2005 the opening of the show, “Apocalypse,” “Siberian Khatru,” and “Sound Chaser” appear in the three disc set The Word Is Live.The audience recording is very good and close to excellent sounding with a small amount of fuzz surrounding the music.
There are also numerous small cuts scattered throughout the show including one 1:44 into “I’ve Seen All Good People,” at 13:24 in “Gates Of Delirium” (right at the beginning of the “victory” section and is the second most painful cut in the history of Yes bootlegs), and cuts after “Clap,” Jon’s harp solo, “Heart Of The Sunrise” and between the introductions and “Ritual.” This tape was used for a silver release called Just Another Night In Detroit (Suck My Disc! 001/002) in similar sound quality.This is one of the all time classic Yes concerts. 1.01 I've Seen All Good People (8.11)1.02 Long Distance Runaround Moraz Solo (7.26)1.03 The Clap (5.44)1.04 Harp Solo (3.32)1.05 Heart Of The Sunrise (14.52)1.06 Roundabout (8.47)Here is a wonderful snapshot of YES in their prime, featuring the band in 1976, from first-generation tape. This is a very fine show, EX-sound quality. The taper did also the 1977 Detroit show and used great equipment, as the results show. Detroit concerts from the 1970s (and the city's great audiences) are always special, so here's a Detroit Special for all Yes fans to enjoy.Cobo Hall,DetroitAugust 17, 19761st Gen Tape.These are the remaining Detroit tracks that were NOT INCLUDED on the official releases 'Yes Shows' and 'The Word is Live.' Here are the rest of the songs from this superb 1976 concert.
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The band obviously thought this was a hot show, because they have released half of it during the past 30 years. The remaining tracks included here have never been officially released.Excellent, sharp recording!Tracks: (48:32)1.01 I've Seen All Good People (8.11)1.02 Long Distance Runaround Moraz Solo (7.26)1.03 The Clap (5.44)1.04 Harp Solo (3.32)1.05 Heart Of The Sunrise (14.52)1.06 Roundabout (8.47). 1.01 And You And I (Apocalypse) (2.59)1.02 Siberian Khatru (10.14)1.03 Sound Chaser (12.05)1.04 I've Seen All Good People (7.27)1.05 The Gates Of Delirium (tape flip) (23.30)2.01 Long Distance Runaround (2.25)2.02 Patrick Moraz Solo (4.58)2.03 On Wings Of Gold - The Clap (5.51)2.04 Harp Solo (4.33)2.05 Heart Of The Sunrise (13.43)2.06 Ritual (28.23)2.07 Roundabout (8.35)YesHeart of the Ritual1976-08-17Cobo Arena DetroitJEMS MASTERJon AndersonSteve HoweChris SquirePatrick MorazAlan White122:0301. Opening/Apocalypse 2:5902.
Siberian Khatru 10:1403. Sound Chaser 12:0504. I've Seen All Good People 7:2705. Gates of Delerium 23:3006.
Long Distance Runaround 2:2507. Patrick Moraz Solo 4:5808. On Wings of Gold Clap 5:5109.
Harp Solo 4:3310. Heart of the Sunrise 13:4311. Ritual 28:2312. Roundabout 8:35Tape flip in middle of 05. Disc change after 05.A few volume fluctuations in 11.R.I.P. JaredRecording Gear: Advent dynamic microphones Sony TC-153SD cassette recorderJEMS Transfer: master cassettes Nakamichi 670ZX (azimuth adjusted) Wavelab 24/96.wav capture R8Brain resample (16/44) Audacity (Normalize/split) TLH FLAC8Artwork by Nibelungen66 included.While we remain deeply saddened by Jared's passing, JEMS' mission of sharing our recordings continues just as he would have wanted.Jared transferred his own master tapes of this '76 show sometime in the last 12-18 months. The files were on one of several hard drives he gave to me a couple weeks before his passing.
His fine recording of this show has been well circulated for decades, but this torrent marks the first ever direct transfer of the master tapes and should be an upgrade to any circulating versions. Samples provided.To continue dissemination of the JEMS Archive requires friends and we're grateful to Zombiwoof for his help providing post-production support for this release.BK for JEMSOfficially released tracks on 'The Word Is Live':1.01 Opening (And You And I)1.02 Siberian Khatru1.03 Sound ChaserOfficially released tracks on 'YesShows':1.05 The Gates Of Delirium2.06 Ritual.